
Assembling a Universe is the first in a two part series (and potentially ongoing series) that takes a look at Marvel’s strategy in building their cinematic universe. Pictured above, the announcement of The Avengers at the 2010 Comic Con.
The gambit of Marvel’s Avengers Phase I paid off in dividends two years ago with the monumental release of The Avengers. Nothing like it had ever been undertaken before and it’s quite surprising that no one had attempted it sooner given the franchise film model that all the studios are currently operating under. Now that all the other studios are trying to chase Marvel, not only does it seem that they were ahead of the curve in every sense when building this mega franchise, but they seem to be really good at it as well.
Consider this, none of the Marvel films (post Iron Man) has been a flop and though not every film tops the last release, none has ever earned less than $370 million worldwide (not a lot when compared with the $1.5 billion that The Avengers made, but still a lot when you consider that Captain America–a film with ‘America’ in its title, is a hard sell in foreign markets). So what’s their secret then? Really, really well planning. In our first of two posts on ‘Building a Marvel Universe’ we take a look at one of the smart decisions that Marvel has made with their films: getting high profile talent.
This week marks the release of Captain America: The Winter Soldier. Joining series regulars Chris Evans (Captain America), Samuel L. Jackson (Nick Fury), and Scarlett Johansson (Black Widow) will be Academy Award winning Robert Redford. Anthony Hopkins and Natalie Portman, two Oscar winners, star in Marvel’s Thor franchise, most recently last year’s Thor: The Dark World. Back in late December we also saw the announcement that another Oscar winning actor, Michael Douglas, would star in Marvel’s forthcoming Antman movie.

Robert Redford and Samuel L. Jackson debating who should star in the next Marvel film in a scene from The Winter Soldier.
If you were to just look these names alone, you think that we were gathering actors together for an Oscar winner photoshoot. How about we throw in a few more names: Robert Downey Jr., Mark Ruffalo, Jeremy Renner, Jeff Bridges, Mickey Rourke, Glenn Close, Scarlett Johansson, Don Cheadle, and Paul Rudd. While not all of them are Oscar winners, they all are recognizable actors. What they all have in common is that they are a very important part of the world building that is the Marvel cinematic universe.
To fully realize the scope of what Marvel is undertaking, there are a couple of key questions that we need to answer; the first of which is, why are high profile actors signing up for comic book movies? Sure, we’ve always had big names in superhero movies (Jack Nicholson in Batman, Wesley Snipes in Blade, and Arnold Schwarzenegger & George Clooney in Batman & Robin), but it’s never been anything on the scale of what Marvel is putting together.
The first and most obvious answer is money and work. By nature of franchises and tv series the longer they run, the more cast members are paid for reprising their roles in future installments. While many think all actors make quite the pretty penny, by taking a gig with Marvel, an actor knows they will have job stability over the course of several years in a couple of different films.

Yes, Joss Whedon can do this all he wants after the success of the first Avengers.
These type of franchise films not only get actors paid, but it also affords them a certain amount of clout to work on other films that are of interest to them (independent or pet project films). Would Robert Downey Jr., Chris Evans, Chris Hemsworth, and Joss Whedon be where they are right now if it wasn’t for their roles in the Marvel cinematic universe? Sure Downey, Evans, and Whedon were known names in Hollywood before Marvel’s Avengers movies came along, but none of them were bankable or A-list. Having a leading role in an Avengers movie (or shepherding in Whedon’s case) or two gives you something that sought after and is difficult to attain . . . box office bank-ability.
Believe it or not Chris Evans turned down the role of Captain America several times before he got a call from Robert Downey Jr. convincing him to take the role. From Variety:
“I remember getting on the phone with him and strongly suggesting that he not shrink away from the offer,” Downey says. “I said, ‘Look man, you might not like the fact that you’ve played one of these guys before (in “Fantastic Four”), but you know, the thing is this can afford you all sorts of other freedoms,’ ”
later . . .
For Evans, the “Captain America” experience has been mostly positive. He credits the series with enabling him to land his dream job. “Without these movies, I wouldn’t be directing,” he reckons. “They gave me enough overseas recognition to greenlight a movie. And if I’m speaking extremely candidly, it’s going to continue to do that for as long as the Marvel contract runs.”
Evans first film as a director, 1:30 Train, is currently in post production and he hopes to start on his second film as a director after filming on Avengers 2 wraps later this summer. As stated in his interview, these types of projects wouldn’t be available to Evans if not for his role in the Marvel cinematic universe.
And even a third reason for actors joining up with Marvel is just plain curiosity and genuine interest. From IGN.com:
“One of the reasons that I did [Captain America: The Winter Soldier] was I wanted to experience this new form of filmmaking that’s taken over where you have kind of cartoon characters brought to life through high technology,” [Robert] Redford explains. “The Avengers series is a product of high technology playing a major role in the new order of filmmaking so I wanted to experience that—I just wanted to know what that was like and I had that opportunity, so for me it was like stepping into new terrain just to experience what it was like.”
So while the big name stars that Marvel brings in to populate their world get more than just a nice payday for being in their films; what does Marvel get out of it? This is where things start to get interesting. At the surface level, you put known actors in your film and you already bring a sense of heightened awareness for it. People recognize them, and by extension, put the film on their radar. A secondary surface level benefit is that you put an established actor in a role and you know you’re going to get a good solid performance out of them. Granted you ultimately don’t know what kind of performance you have until the film is finished, but any filmmaker will tell you that casting the right actor is key for any film. Those with a proven track record, who deliver time and again, give filmmakers and audiences a certain confidence about a film.

How about this for gravitas, Hannibal Lecter himself Anthony Hopkins plays Odin in the Marvel cinematic universe. He’ll eat other superheroes for breakfast with fava beans and a nice chianti.
On a larger scale and most importantly, Marvel gives these films and this world a certain sense of credibility by having these types of actors in their films. Counting all of the Marvel films released to date as well as those coming out this year, there are 19 Academy Award nominated actors starring in nine films, six of which are Academy Award winners (to give you some perspective, the Harry Potter series only has 12 spread across eight films). Add to that a number of actors who may not be nominated, but still provide high quality work and are recognizable, and you have a sizeable pool of actors who moviegoers know and love. By having quality actors in a film, it gives Marvel a strong foundation to build their cinematic universe upon as well as a sense of legitimacy. Part of the message sent is “we’re serious about these movies and we want you to come see them.” And it’s with this credibility that Marvel is using to build and sustain their shared universe.
Marvel has embarked on something that has never been done before in cinema–create a set of films that exist in the same universe. We’re not talking about franchises and franchise building like Peter Jackson and the Tolkien movies or Harry Potter; while those film exist in the same universe, they are all essentially one long story. This is all old hat.
No, Marvel’s shared universe is a bit different. They are producing a game changer. While every other studio out there is jumping on the “EPIC group superhero movie” bandwagon (Fox with another X-Men movie and Sony with multiple Spider-Man movies), Marvel is paving the way for something bigger. After the success of The Avengers, Marvel has moved on to what they call “Phase II.” While many think that Phase II is just building to another Avengers movie much like the Phase I of Marvel films did, Phase II is more than that. It will ultimately lay the groundwork for an entire universe of superheroes and potentially endless supply of movies. If Avengers 1 was a gamble that paid off, the impending success of a second Avengers movie will not only solidify the Avengers series of films, but open the door for Marvel to further populate this universe that they’ve created. The are ultimately out to create a goose that will lay them an endless supply of golden eggs.
While the superhero films of the late 90s/early 00s introduced us to the modern superhero film (Blade, X-Men, Raimi’s Spider-Man), Marvel has established it as an official genre; with the actors that they recruit to be in their films being an important cog in the larger machine. You see a universe of this size, it needs strong supports to hold it up. High caliber actors provide this type of support.

Phase I . . . Assembled. Now on to Phase II.
We know that the stories from Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, and this summer’s Guardians of the Galaxy compose Marvel’s Phase II and lead up to next year’s Avengers: Age of Ultron, none of this would be possible if we as an audience didn’t believe in the characters that populate this universe. While franchises come and go, having an entire ‘universe’ of films to draw from does carry a certain gravity with it. Through calculated and shrewd decision making, Marvel’s casting of well acted and reliable talent for their films gives them an excellent foundation to build their universe.
Is part of Marvel’s success due to the shrewd casting of high profile actors in their films? Tell us what you think and more in the comments.
Top 5 Movies Based on Graphic Novels
Tags: 300, Bong Joon-ho, Old Boy, Scott Pilgrim vs the World, Sin City, Snowpiercer, V for Vendetta
Yes, that’s Captain America himself Chris Evans leading the way, this time in Snowpiercer.
We here at the Red Band Project are excited for the upcoming release of Snowpiercer. Directed by Korean auteur Bong Joon-ho (Mother, The Host) the film stars Chris Evans, Jamie Bell, Tilda Swinton, Ed Harris, and John Hurt as some of the last survivors on Earth who reside on the Snowpiercer, a train that continually navigates the frozen globe keeping its inhabitants alive. It’s a sci-fi fable that deals with class struggle amidst the backdrop of a future where the world is frozen over.
Due out tomorrow at Consolidated Theatres Kahala 8, the film is based on the French graphic novel Le Transperceneige. While Hollywood has been quick to jump on the comic book craze, it’s also adapted its fair share of graphic novels. While similar in many respects to comic books, graphic novels are usually self contained stories told in one book or a set of books and are not ongoing series.
This got me thinking, we’ve had all sorts of graphic novel adaptations, some of them good and some of them pretty crummy, but which ones have been the best? Listed below are my Top 5 Films Based Off of Graphic Novels . . .
#5 – Old Boy (2003)
Loosely based on the Japanese manga series written by Garon Tsuchiya and illustrated by Nobuaki Minegishi, Korean director Park Chan-wook‘s film of the same name is quite the twisted tale of revenge. I’m not going to lie, it’s the total 180 that this film pulls that got it onto this list. I remember the first time watching this film thinking it was going one way and then I get the rug pulled out from under me. Talk about mind blown. The way Chan-wook tells the story and how well he sets the table is was drew me in. That and the utter brutality in the film, the first I’d really seen like that, is what helps to make this film stand out.
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#4 – Scott Pilgrim vs. the World
If there was only one thing I could say about Scott Pilgrim vs. the World, it would be that it makes me proud to have played video games at least for a time in my life. Based on the series of graphic stories by Bryan Lee O’Malley, the movie is jam packed with video game references and is so smart about the way it uses and portrays them that it’s no wonder that it holds a special place in the hearts of geeks everywhere. When you combine that with Edgar Wright‘s vision and style, the movie is truly unique and a love letter to video games, comics, music, and geeky pop culture. Scott Pilgrim vs. the World gives us a glimpse into a world where real video game conventions (extra lives, power ups, restarting levels, bosses) do exist and is so awesome that it made me wish I could live in that same world as well.
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#3 – Sin City
Based on a few of the novels from the Frank Miller series, Sin City the movie is also directed Miller and Robert Rodriguez (Desperado, From Dusk Till Dawn, Spy Kids). The movie’s visual style is definitely what draws you in and for the record is really is quite gorgeous. The stylized black and white look with accent colors popping up every once and a while to add mood and tone to the film simply blew me away when I saw it for the first time. That combined with the engrossing and criss-crossing neo-noir crime stories that involve these checkered characters in this disreputable city really engages you. While comic book movies up till this point really tried to shy away from their paper based roots and go for realism, the coloring and stylization of Sin City made it truly feel like it was a ‘comic book movie’ through and through–and I thought it really worked for the film.
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#2 – V for Vendetta
There is just so much good stuff going on in V for Vendetta that whenever I see it on TV, I almost always get sucked into watching it. Based on the graphic novel by Alan Moore and David Lloyd, the film version of V for Vendetta is an awesome example of when you take rich source material and create an appropriate adaptation. Themes in the film such as government having too much control, fear of the people warranting government protection, and propaganda spread by the government all underline growing sentiment that was going on in a post-9/11 world when this film came out in 2005. Add to the mix a very charismatic (and sharp tongued) character with a righteous mission in V and like I said, there’s a lot of stuff here to like. The film also has some snappy fight sequences with stylized use of V’s daggers that make him even more of a loveable folk hero. “Remember, remember the 5th of November,” from his lines of dialogue to the way he carried himself, though you never saw his face, Hugo Weaving did an awesome job of portraying V. From a strong lead character, to themes in the film that overlap with real life, to a fun story; V for Vendetta is a prime example of what a good graphic novel adaption should be.
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#1 – 300
While Frank Miller‘s graphic novel 300 isn’t the thickest tome, the translation from page to screen is really spot on. The way Zack Snyder literally took what was on the page, used green screen digital backgrounds and visual effects to create a visual look that was similar to what was on the pages of Miller’s book, the film adaptation is a visual spectacle to behold. Couple that with the charismatic portrayal of Leonidas by Gerard Butler and mighty Spartans would be forever engrained as pop culture icons. While the story is fairly straightforward, it’s the ferocity and undauntedness the Spartans exude on screen that get you pumped up and make you wish you were in battle with them. With a great visual style, colorful characters, and a never say die attitude, Leonidas and the brave 300 is quite possible the best film to have been adapted from a graphic novel.
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Of course a whole slew of graphic novels from a wide range of genres have had the film treatment; 30 Days of Night and Constantine from the horror genre, Road to Perdition and A History of Violence are period dramas, and American Splendor and Ghost World in the indie vein. While quite a few films were considered, in the end many didn’t make the cut. A few honorable mentions that just didn’t make it onto my list: Men in Black, The Mask, and i. If you have any suggestions on what should have made the list, sound off in the comments below.
While Snowpiercer certainly won’t be the last graphic novel to be adapted into a movie, it’s definitely one we here at Red Band have been looking forward for quite some time. Be sure you check it out this weekend at Consolidated Theatres Kahala!