Posts Tagged ‘Leonardo DiCaprio

07
Jan
16

Review: The Revenant

0107_01-RevenantDOM

Lush landscapes and a primal DiCaprio performance . . . smells like Oscar.

Last year (technically 2014) director Alejandro González Iñárritu (21 Grams, Babel) masterfully directed the Best Picture-winning Birdman. Starring Michael Keaton, the film followed a once great actor (Keaton) struggling to become relevant again by writing, directing, and starring in a production of his own stage play. Aside from winning four Academy Awards for the film (Picture, Director, Original Screenplay, and Cinematography); what stood out the most about the film to me was that the entire film seemed to be encompassed by one long continuous shot. How does Iñárritu follow up a smart and elegantly shot film like Birdman? By going out into the harsh wilderness of Canada and Argentina to shoot The Revenant and in all natural light.

The Revenant focuses on frontiersman Hugh Glass (Leonardo DiCaprio), who while on a fur trading expedition in the 1820s is left for dead after being brutally mauled by a bear; and embarks on a quest for survival and revenge against those responsible. Battling immensely harsh environmental conditions, Glass also has to contend with Native Americans and his diminishing health in order to stay alive.

If there is one thing I have to say about Iñárritu, it’s that he really knows how to envision a story. At its core, The Revenant is a story about survival. It’s Iñárritu’s keen vision and the actors that he chose to work with (namely Leo), that gives the film this grandeur that really makes it something to behold and see in a movie theater.

Leo by the fire.

Leo by the fire.

Because as I’ve alluded to already, I’ll start with the cinematography; it’s a real standout aspect of the film. Working with his longtime partner/cinematographer Emmanuel Lubezki, Iñárritu beautifully captures the Canadian and Argentinian landscape in The Revenant. From snow covered forests to foggy woods, to night shots lit by firelight, nearly every scene that does not include a human is exquisitely shot. But, it isn’t all about scenic vistas, the scenes with humans are masterfully crafted as well.

As if he was winding down from Birdman, Iñárritu employs many long takes in the film which amp up sequences in the film. The action does not stop for a moment as the camera follows characters and much of the action that takes place, all in real time. In a sense, it keeps the audience locked into a scene because It doesn’t really give the viewer a moment to catch their breath.

In one spectacularly shot scene that one-ups the opening sequence of Avengers: Age of Ultron, in one take, the camera follows several individuals during an Indian attack on Glass’s encampment. Right after someone gets hit with an arrow, the camera deftly follows another member of the party as he scrambles to get his bearings. Next the person that the camera is following shoots at an attacker and then the camera shifts and follows the incoming attacker as he shoots an arrow at the previous person we were following. Still with me? The audience is led through this elaborately choreographed battle sequence in one or two quite long camera takes! And then there’s the bear sequence. I haven’t even gotten to that yet (just wait).

Bears, Indians, and snow; oh my.

Bears, Indians, and snow; oh my.

I think it’s safe to say that Leonardo DiCaprio is one of the best working actors today that hasn’t gotten an Oscar. Just perusing his filmography on IMDB as I type this and he’s played a lot of different characters for a lot of different directors. And he does it all with this intensity that metamorphosizes him into the characters he portrays. He just flat out does good work and we shouldn’t expect anything less from him at this point.

With The Revenant, Leo really gets to do a lot with a role that is physically demanding by enduring harsh conditions AND forces him to act and emote with not a lot of dialogue. In many of his scenes, Leo conveys much of his emotions and what he wants to “say” by the look on his face and his body language. After being attacked by a bear in the first 20 minutes of the film, Leo’s character Glass is wounded (physically and emotionally) for the remainder of the film and is pretty much on his own. Much like Robert Redford in All is Lost; Leo scowls, grunts, and moans his way through most of the film. With that intensity that he has, he’s able to communicate a lot with the look and pain in his eyes. When DiCaprio jumps into frigid waters, forages for food, or crawls his way through dirt and snow . . . you can nearly feel the chill, hunger, and distress that he’s going through as he experiences them on screen.

The said bear attack in the film is one of the most harrowing scenes in any film from 2015. Again, as with many of the other scenes throughout the film, it’s very well choreographed and pretty much sold by the expressions that appear on Leo’s face. For the most part, the bear is a product of visual effects, but there are some practical effects mixed in as well to give a very realistic feel. Not that the bear was a product of bad-CGI, but there is just no way that any studio (and probably even Leo himself) would allow Leo to interact with a grizzly bear. Needless to say, the intensity, realism, and pain in the scene are sold through Leo’s eyes.

Iñárritu and DiCaprio: two auteurs at work.

Iñárritu and DiCaprio: two auteurs at work.

Though Tom Hardy, Domhnall Gleeson, and Will Poulter all lend supporting roles in the film; this is Iñárritu and Leo’s film to be sure. It’s a simple story told on a grand and extravagant scale as only these two auteurs could create. And as amazing as the film is, I can’t recommend it for everyone. For starters, the film clocks in at 2 hours and 36 minutes (just about ten minutes shy of The Hateful Eight that’s playing here) so it’s a long film to start. And like I mentioned earlier, much of Leo’s scenes don’t involve a lot of dialogue; many are also meditative as well. If you crave non-stop action, a lot of talking and explanation in your movies, or movies that have a run time of fewer than two hours then The Revenant is not going to be for you. However, if you can withstand all that, then The Revenant is definitely worth seeing and is one of the best films of 2015.

The Revenant expands today and is now playing in theaters locally.

4 of 5 stars // rated R // 2h 36m

14
Feb
14

Oscar Watch 2014: Actor in a Leading Role

Oscar Watch looks to break down the different categories for the 2014 Academy Awards. We'll do our best to give you the inside track for your Oscar pools. Above: Chest thumping McConaughey from The Wolf of Wall Street.

Oscar Watch looks to break down the different categories for the 2014 Academy Awards. We’ll do our best to give you the inside track for your Oscar pools. Above: Chest thumping McConaughey from The Wolf of Wall Street.


Who Should Win
: Matthew McConaughey, Dallas Buyers Club

McChonaughey from Dallas Buyers Club, Ejiofor, Bale, and Dern.

McConaughey from Dallas Buyers Club, Ejiofor, Bale, and Dern.

AIDS victim fighting to obtain medication for himself and eventually the whole country. Yes it’s total Oscar bait, but Mr. McConaughey brings a genuine character along with his 47 pound weight loss. (Ironically this year Christian Bale gained weight.)

His Ron Woodroof his a homophobic, drug addicted, alcoholic hick and by film’s end, he isn’t necessarily a different person, but Mr. McConaughey shows us a subtle flicker of generosity trying to break through the surface.

There’s also a relaxed, charming scene in a fine dining restaurant where he compliments a waiter on bringing the right bottle of “grape juice.” It’s a small moment as the emaciated-looking character is having one of his better nights and it just shows how natural Woodroof has become to the actor.

Factor in Mud and The Wolf of Wall Street and boom—this dude had a pretty good year. And on top of all that, Mr. McConaughey has never won an Oscar.

On Everyone Else…

  • Chiwetel Ejiofor: As the free slave who finds himself back in captivity in 12 Years a Slave, Chiwetel Ejiofor is actually my second favorite performance of the year. It was a close one for me (between Mr. McConaughey), but I just have a feeling Mr. Ejiofor will get a few more chances to show off his talents. Still, that long shot of him hanging from a noose is one of the most haunting, frightening, and yet, beautiful scenes of the year.

  • Christian Bale: My third favorite performance this year. For any other actor, being an overweight 70s hustler under a bad hair weave would be a challenge, but this is Christian Bale we’re talking about. We’re almost to the point of taking his physical transformations for granted, but somehow, it just feels Mr. Bale barely broke a sweat hamming it up as this epic larger-than-life (literally) character in American Hustle. In some ways, maybe the hardest part Mr. Bale ever had to play was actually Bruce Wayne. As that orphaned hero, without the mask, he had nowhere to hide.

  • Bruce Dern: Umm… No. Just no. (But watch, the voters are gonna pull some Lifetime Achievement thing and I’ll just be screaming at the TV. Nebraska and Philomena would have been network TV movies of the week in the 80s.)

Let’s instead remember some other more worthy male performances from 2013.

Michael B. Jordan as the ambitious but doomed train passenger in Fruitvale Station. Robert Redford as a practically wordless boatsman in All is Lost. Oscar Isaac as the jerkish and melancholy folk musician in Inside Llewyn Davis. Jaden Smith as the young, knee-taking jungle warrior in After Earth.

Okay, just kidding about one of those, but still… You get my point. All were arguably more memorable performances than Bruce Dern. #sorrynotsorry

Who Will Win: Leonardo DiCaprio, The Wolf of Wall Street

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Unfortunately, Leonardo DiCaprio has never won an Oscar either.

The biggest problem with this performance is that you get the feeling you are watching Mr. DiCaprio just simply having a good time being Mr. DiCaprio. Throwing money around, dropping f-bombs, oof-ing models, and snorting copious amounts of coke? Frankly, that’s what we always thought of him before The Bieber came around to take all the illicit attention away. It just doesn’t feel that much of a stretch and there’s a bunch of young actors out there who could probably have pulled off the same performance.

If anything, Mr. DiCaprio should have gotten the nomination for The Great Gatsby, a movie that cannily took the notion of being Leo and turned it on his slicked back head.

But with his three previous nominations and his fifth collaboration with Martin Scorsese, Academy voters might feel it’s time to give in.

What are your thoughts on our predictions? Give us your thoughts on the Best Actor category in the comments.

06
Feb
14

Red Band Redux: Jan 2014

0206_01-JanRedux

January. The first month of the year usually doesn’t have all that much to offer at theaters since the studios pretty much just dump anything on us in favor of focusing on their awards plays and Oscars. For me, January is usually focused on catching up with stuff from the previous year that came out in late December or other films from the previous year that I’ve heard good things about, but just didn’t have the time to see. All told there were still some decent flicks to check out in January.

The Wolf of Wall Street

It's about the Ludes old sport!

It’s about the Ludes old sport!

I’m always down for a Scorsese flick since Marty consistently puts out a good product. Though I definitely like some of his films (Goodfellas, Casino, Hugo) more than others, I can’t help but marvel at the myriad types of projects the man has decided to undertake. While I didn’t quite know what I was in for with The Wolf of Wall Street, with Scorsese’s track record I was fairly confident that I was going to be entertained. And boy was I.

The film hits you from the get-go with Leonardo DiCaprio‘s character Jordan Belfort snorting cocaine out of a prostitute’s anus. Talk about audacity. From there the outrageousness doesn’t stop and only gets amped up for the duration of the film.

Speaking of DiCaprio, I thought that this was one of his best performances to date. The way he portrays Belfort as this savvy and brash stock broker who is bent on being as rich as he can possibly be was pretty amazing. In one scene he’ll be in total control, inspiring and pushing his brokers to sell, and in the next he’ll just be bat-shit crazy hopped up on cocaine, ludes, or both. Yet in other scenes where he has to deal with his wife and family, he’ll be totally tortured by the way his wife makes him feel. Though Leo faces stiff competition in this year’s Oscars, I’d love it if he took home a statue.

While Leo is quite good, the story itself is fascinating to watch. Here you have a guy who pretty much builds himself up from nothing into a multimillionaire with a lucrative brokerage firm. Of course the way that Belfort goes about acquiring all this isn’t the most ethical or legal and that’s where the film does raise a lot of interesting questions: For a guy this smart and this savvy, why resort to illegal activities? With a wife that hot, why still have sex with prostitutes? In the beginning of the film Belfort is advised that these types of activities are necessary to do this type of job. Maybe it’s just me being naive or totally not understanding of this type of world, but while I was internally shaking my head at it all I couldn’t look away as it was all so interesting to behold.

Leo is of course supported by some great performances in the film, most notably from Matthew McConaughey as Belfort’s early mentor, Jonah Hill as Belfort’s faithful yet awkward right hand man, and Margot Robbie who plays Belfort’s wife. I totally loved McConaughey and wish he had a larger role. The lunch scene with him and DiCaprio was one of the high points for me. McConaughey sort of plays his typical self, but only way cooler and with a lot more style. Hill has been turning in real solid work as of late and though I thought this performance was a little forced, he was still pretty good lending a lot of comedy to the film. Robbie meanwhile stood her ground pretty well with DiCaprio, specifically in the scene where she goes to throw a glass full of water into Belfort’s face–totally in control of the entire situation.

With a great story and a phenomenal cast, The Wolf of Wall Street is one of Scorsese’s best films in recent memory.

4.5/5 stars (One of the best films from last year. See it if you haven’t!)

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The Legend of Hercules

Are you not entertained by my sword?

Are you not entertained by my sword?

I never go into movies hoping for a bad movie, but sometimes you know a movie is not going to be great from the trailer, subject matter, actors in the film, and the studio or distributor that is releasing the film. Such is the case with The Legend of Hercules.

I think the best thing I can say about this film is that it is not bad. The highlights: some great fighting scenes that crib a little from 300, but there’s enough that they do different to make it fun to watch.

The lowlights: With films like Gladiator and 300 firmly imbedded in our hearts and minds, this film unfortunately has way too many similarities to those films, from 300-esque Spartan fight styling, Gladiator-esque arena fight styling, and with the plotline of Hercules being sold into slavery and then winning his freedom though the arena; many times it seemed as if nothing was original.

What’s unfortunate is that there’s definitely franchise building going on here and it really affects the film in the sense that there’s hardly anything from the Hercules mythology which in and of itself is so rich. The film instead gives us the scorned brother/father storyline which made Gladiator so dramatic, but here makes this film seem tired.

Finally there’s Kellan Lutz. Yeah he’s good looking (so I’ve been told), and that’s about it. The ladies might love him for that in the film, but acting-wise, he didn’t bring anything to the table for me in that department. While his Hercules mirrored Maximus, he did had none of the authority, intensity, or badassery that made Maximus so good.

All in all while it looks like I’ve been bagging on the film, nothing in here is egregiously bad. I wouldn’t rush out to theaters to see it or even buy it on blu-ray. Maybe one day in the future if it was on TV, I might have it on in the background while I was working on something else. It’s totally a ‘have on in the background’ kind of movie.

2/5 stars (I guess if you’re into Greek mythology you’d like it)

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Lone Survivor

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Even though I like this film, there was something missing from it that didn’t make me put it with other current war films that I truly love. It’s not something that I can really put my finger on, but it definitely doesn’t fit with the vibe I get from other films such as Black Hawk Down and The Hurt Locker.

Regardless, Lone Survivor is still a great movie. The film does a really good job of putting you in the right frame of mind from the very beginning with the introduction of the training that the SEALs go through. Right away you know, for the guys that eventually move on to become SEALs, it will take A LOT to bring these guys down. I mean, during the film you definitely feel these guys’ pain as they get shot up and throw themselves down a mountain to escape the Taliban. With their backs up against a wall (quite literally) these guys never stop giving it their all.

“Put some dirt on it and suck it up!”

The performances from everyone all around are pretty solid. You might think the four leads (Wahlberg, Kitsch, Hirsch, Foster) are just there for looks but once shit hits the fan and their characters fall back on their SEAL training, they make you seem like you’re there on the mountain with them dodging gunfire and painfully falling on rocks.

I think that with the outcome of the film right there in the title, that could be a big reason why I’m not as high on this film as with others in the genre. Granted, like Black Hawk Down, Lone Survivor is also a film that depicts an operation where our military didn’t have a victorious outcome. With Black Hawk though, even though that was based on a real event and I could have looked up what had happened, with Lone Survivor the idea that only one of them would make it was always at the end forefront of my mind. Which one of them would be the one? How did the others die? There’s a certain sense of helplessness I felt since I had already knew the general outcome of the film.

4/5 stars (Worth your time if it’s still in theaters)

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American Hustle

0206_05-AmericanHustle

I don’t know what it is about David O. Russell, but man is this guy on a role. Not only does he assemble the heavy hitting actors that he’s used from past films, but he always gets a ton of mileage out of them as well. All of the leads in the film do a really great job with their characters with Bale and Lawrence all but disappearing into their roles.

All the time these people were on screen I just had to think that I was watching an acting clinic going on. It was a joy to watch Bale with his character’s ‘oh-so cool’ attitude wax poetically about how their business should be conducted. The scene where he describes how he’s like the Viet Cong had me smiling. Lawrence on the other hand, she’s just so good as a New Jersey housewife who really knows how to give Bale’s character a hard time–I mean she’s like scary good (science oven fire anyone?). Adams was solid with her British con woman persona and brought emotional heft when she needed to. Cooper, though pretty good here, I felt did a much better job in last year’s Silver Linings Playbook. In Hustle he was a little all over the map, especially in those scenes where he had to freak out.

The actors and their performances were definitely the highlight of the film. Even when the story goes a little off the rails a bit, the performances is what kept me in it. Ok, so it doesn’t go off the rails so much as gets a little confusing when Richie (Cooper’s character) gets way too over zealous and complicates things by going after bigger crooks.

Having said all that I really enjoyed all the period flourishes in the film from the clothes, to the hairstyles, and all the music in the film; it really makes you feel that you’re in a particular place and time. Overall a real fun movie with a lot of great talent in it.

4/5 stars (Again, another top film from 2013. Definitely see it.)

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Jack Ryan: Shadow Recruit

0206_06-JackRyan

Alec Baldwin, Harrison Ford, and Ben Affleck have all taken on the role of Jack Ryan; arguably Tom Clancy’s most hallowed literary creation (I discount his Rainbow Six, Ghost Recon, and Splinter Cell series since I’ve never played them). Now Chris Pine gets his shot in the reboot of the long standing Jack Ryan cinematic franchise.

With the exception of Sum of All Fears, I’m actually quite fond of the Jack Ryan series of films. More of a thinking man’s James Bond who works from behind the scenes rather than out in the field; Jack Ryan is sort of your smarter than average everyman who just happens to work for the CIA. In this incarnation of the CIA analyst, the plot is a Hollywood original unlike the previous four films that were adapted from Clancy’s books. This could be why the story seems a lot tighter and leans on more of the action aspects of Ryan’s background as opposed to more of his analytical background that seemed more of his style in the previous films.

As far as action films go, Shadow Recruit does a pretty good job of delivering the goods. There are two major operations in the film that give both a sense of ‘edge of your seat suspense’ with a good amount of butt kicking action. Nothing groundbreaking, but entertaining nonetheless.

One thing I liked but also didn’t like at the same time; the introduction of Jack’s wife Cathy into his mission. While we always get the secret agent who keeps his work a secret from his significant other, here we get the conflict of the two of them having to deal with the life that Jack has chosen. On the opposite side of that I found it a little unbelievable that the CIA would put an untrained civilian right in the middle of an important operation to aid in the thwarting of a terrorist attack. Bad storytelling choices aside the only other thing bugged me was the near Siri-like way that Jack deduced where the final target was. I know he’s a pretty smart guy and he had the CIA database at his disposal, but I just found it a little hard to believe that he came up with everything that fast.

On the acting side, everyone was just okay here. Chris Pine wasn’t as cheeky as his role on the bridge of the Enterprise, but he did show the most spark out of everyone on screen. I was actually a little disappointed with Kevin Costner’s role as Ryan’s commanding officer; he didn’t really bring all that much to the table in regards to character or personality.

When trying to decide where in the filmic Jack Ryan canon this film stands with me, it’s either gotta be in the third or fourth spot (out of five films). It definitely doesn’t have the cerebral and intense chess match-like suspense from The Hunt for Red October (my first favorite Jack Ryan film) or the intriguing SEAL Team war on drugs like Clear and Present Danger (my second favorite film), but it does have enough action and analyzing to put it near the middle of the pack.

3/5 stars (There’s been better spy movies. Wait till it hits Netflix.)

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That Awkward Moment

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I was really pretty stoked to see this film as the trailer provided a pretty enticing premise: Miles Teller, Michael B. Jordan, and Zac Efron as a bunch of guy friends who swear off getting girlfriends. While the premise isn’t anything all that new in the rom-com genre, I really like Teller and Jordan and was intrigued to see what this movie would be.

And for the most part the movie does deliver on what the trailer is selling, guys being guys, guys finding romance, and testing of their relationships both with each other and their prospective love interests. As expected Miles Teller and Michael B. Jordan are pretty good. They don’t have too much heavy lifting acting wise in this film while Zac Efron is playing your typical Zac Efron-y character (the cool player type that doesn’t want to be tied down). However, Teller’s and Efron’s characters aren’t the most lovable guys. I mean, yeah sure they’re playing the typical single guys who are trying to play the field and will sleep with as many woman as they can; so you expect that behavior from them. I just didn’t think they earned the relationships they got in the end, or maybe I just didn’t fully believe it.

The humor in the film will give you some funny stuff to laugh at with the jokes throughout the film being hit or miss for me. There were definitely times where jokes didn’t land well and it seemed like they were really trying too hard to come up with that specific joke or kept ad libbing for too long.

At the end of the day That Awkward Moment is a fun little comedy that will entertain you, if you’re not looking for anything too serious or a real relationship from a film.

2.5/5 stars (It’s a fun date movie.)

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Also reviewed last month: Gimme Shelter.




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