Seven summers ago there was an idea . . . the idea was to bring together a group of remarkable people to see if they could become something more. To see if they could work together when we needed them to, to make the movies that that no one else could.
From his first foray into what we now refer to the Marvel Cinematic Universe (MCU) with 2008’s Iron Man, president of Marvel Studios Kevin Feige collected talent and creatives and guided them on a path to create the largest “universe” of films anyone has seen. Forget the characters on screen. Names like Joss Whedon, Robert Downey Jr., Samuel L. Jackson, Chris Evans, and Scarlett Johansson are now real life Avengers. And Feige, he’s the real world equivalent of Nick Fury; ever so astutely manipulating storylines and stars as deftly as Fury could manipulate secrets and spies.Flash forward to 2015 and that Marvel machine shows no signs of stopping. Avengers: Age of Ultron is the second film in the MCU that brings together the “group of remarkable people” we know as the Avengers. With the Battle of New York now three years past, we join right in as the team is in the heat of battle; still cleaning up Hydra agents from the events that took place in Captain America: The Winter Soldier.
Flash forward to 2015 and the Marvel machine shows no signs of stopping. Avengers: Age of Ultron is the second film in the MCU that brings together the “group of remarkable people” we know as the Avengers. With the Battle of New York now three years past, we jump right in as the team is in the heat of battle; still cleaning up Hydra agents from the events that took place in Captain America: The Winter Soldier.
In an effort to close the book on Hydra, the Avengers are tracking down Loki’s scepter (which we last saw in Hydra’s possession in The Winter Soldier and which Phil Coulson discovered intel on its whereabouts in this week’s Marvel’s Agents of SHIELD). Having neutralized the Hydra threat, the Avengers discover that Hydra has a focus on collecting Inhumans–a sub-race of humans who possess special abilities. Hydra’s Inhumans, aka The Twins, aka Quicksilver and Scarlet Witch (also seen at the end of The Winter Soldier), manipulate Tony Stark and turn his fears from the Battle of New York against him which leads him to create Ultron–initially a protocol of automated Iron Man suits to fight large threats and protect the human race; but morphs into an evil artificial intelligence bent on “protecting” humanity by destroying it.
Avengers: Age of Ultron has all the action that you’d expect from an Avenger movie. While we’ve gotten some cool action sequences in the stand alone Avenger films, it’s totally amped up in Age of Ultron since in nearly every scene you’ve got at least two Avengers working together. A lot of action scenes in the film are fun because the Avengers are fighting together, working as a team, and riffing off of each other’s weaponry and special talents. When you see Captain America whipping his shield around, Black Widow catching it, throwing it back to him–but knocking bad guys into the air, with Iron Man flying in and repulsor blasting said bad guys in mid air and then finishing off with Thor slamming his hammer down on Cap’s shield creating a shockwave that knocks everyone out . . . you can’t help but crack a smile on your face because yes, this is what superhero team-up movies are supposed to be.
Whedon’s comedic stamp is still all over the film as well. From the quick one-liners during battle (Cap’s chastising of Iron Man’s “language”), to our heroes being self-deprecating with one another, to fun scenes of comradery (like say when you’re hanging out after a party and everyone tries to lift Thor’s hammer); all the little touches and flourishes of humor that made the first Avengers so fun is still here as well.
Great action and fun laughs aren’t the only things that Age of Ultron gives us. It also does some table setting for Phase III and also subtly explain other goings on in the MCU. Things like “well where was Hawkeye when all that stuff with SHIELD going down” are in fact addressed and answered (no, he wasn’t just appearing on Fallon). Then there’s the role call of cameos from supporting characters from many of the other stand alone films. Not only do we get to see War Machine and Falcon, but we also get the inclusion of two new Avengers as well (spoiler alert–it’s The Twins). We all know that Marvel can’t keep this train with the core group of Avengers going forever. They literally can’t afford to as the actor’s salaries will keep getting higher with each passing movie. The next logical step is to bring in new blood and set things up for a changing of the guard. I mean, in the comic books the Avengers are a big team of superheroes so it only makes sense that new Avengers are introduced in Age of Ultron.
In a similar vein, Age of Ultron also moves us ever so closer to the next Avengers film three years from now: Infinity War. From the discovery of the tesseract in Captain America: The First Avenger to the outright explanation of the Infinity Stones in last year’s Guardians of the Galaxy, you can’t help but notice that these items seem to be the most power artifacts in the universe if everyone is out to get them. While I won’t give too much away from Age of Ultron, the Infinity Stones are referenced several times in the film. If one by itself commands so much power, just imagine an enemy who possesses all of them.
If there was one thing that felt a little out of place in Age of Ultron, it would have to be the developing relationship between Bruce and Natasha. We saw a few hints at this in the first Avengers film. In Age of Ultron, it is in full bloom. What I found out of place about it was that I thought it was completely unnecessary. Did they want to keep the female audience interested by introducing a romance element to the story? Who knows. What I do know is this . . . you have a strong female character in your comic book movie (something in short supply and high demand at the moment) and you give her character weepy eyes throughout the film? Sure they gave us some backstory and point of view moments for her, but I think the end result was not worth adding that in. Talk about sidelining your character–it just makes her character look that much more vulnerable on a team packed with powers.
While Avengers: Age of Ultron does deliver the fun, I couldn’t help feeling that something was missing after the movie was done. I laughed and I cheered throughout the movie and yet I didn’t feel as good as I did when I got out of seeing The Avengers. The best way to equate this is probably to The Dark Knight and The Dark Night Rises. With The Dark Knight being as good as it was, expectations for it’s follow up were sky high. When The Dark Knight Rises came out, due to those high expectations, many people felt that Rises was a bit of a letdown. And that what we’ve got going on here.
Though Ultron is a diabolical foe, the entire movie feels a bit like more of what we wanted from the first Avengers movie but just didn’t have time to have in there. There wasn’t anything that special that blew me away. This time around we don’t have the novelty of seeing these guys come together for the first time. Don’t get me wrong, there were some great scenes and I did enjoy myself throughout the film, but at the end of the day I thought Ultron was just another bad guy in the long list of Marvel bad guys that got left in the dust. What he did was the typical things that we’d expect any one-note bad guy to do: he came up with a plan to destroy the world, he got the Avengers to fight each other, and he had the whole multiple versions of himself going for him. With all of that, none of it left a lasting impression on me.
To be sure, I’ll see this movie a couple more times in theaters. And like I mentioned at the top, Marvel has nothing to fear in regards to their universe slowing down anytime soon. Feige, Whedon, and the entire cast have put together something that is special. What I’m hoping we get next time is a movie that “becomes something more” and is not just more of the same.
Avengers: Age of Ultron is now playing in theaters worldwide.
4 / 5 stars // rated PG-13 // 2h 21min